The new Panasonic Lumix DMC-LX5 released this month will sell for around $500. I’ve used both the LX2 and LX3, so I’m looking forward to getting my hands on this beauty.
The Panasonic Lumix LX5 is NOW AVAILABLE for about $399!
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First things first: what happened to the LX4? I guess Panasonic thinks the new camera is so good that it warrants skipping a generation.
Like all the previous Lumix compacts, the LX5 is a good-looking camera that will actually fit in a pocket. It captures still images in raw, jpeg or raw+jpeg and it records HD-resolution movies with sound.
Key Features Comparison: LX5 vs. LX3
|Lumix LX5||Lumix LX3|
|Maximum Aperture||f/2.0 – f/3.3||f/2.0 – f/2.8|
|Zoom (35mm equiv.)||24-90mm (3.8x)||24-60mm (2.5x)|
| Shutter Speed
||60 sec to 1/4000||60 sec to 1/2000|
|Effective Resolution||10.1 megapixels||10.1 megapixels|
||pop-up or hot shoe||pop-up or hot shoe|
|Optical viewfinder||optional hot-shoe mount||optional hot-shoe mount|
|LCD size/resolution||3″ / 460,000 dot||3″ / 460,000 dot|
Panasonic says it has made a lot of behind-the-scenes improvements that don’t show up in the specs, such as:
- Expanded dynamic range with increased sensitivity and saturation.
- Newly developed Venus Engine FHD image processor provides higher speed and performance. Triple CPUs in this imaging engine dramatically speed up processing while achieving exceptional noise reduction performance.
- Video hi-def recording using the AVCHD Lite format which allows almost doubling the recording time in HD quality compared with the conventional Motion JPEG format. In Creative Movie mode, shutter speed and aperture can be set manually.
- Redesigned body with a thicker grip making it easier to hold. It’s a little bit larger and a little bit heavier than the the LX3. Plus, the LX5 will be available in black or white body colors.
- New turn-and-push jog dial replaces the small joystick control used on the LX3.
- Optional Live View Finder which helps when shooting under strong daylight.
- Square 1:1 format setting selectable by the aspect ratio switch on the side of the lens barrel. On the LX3, it was available only by menu and only after updating to the LX3′s latest firmware version.
- Intelligent LCD redesigned using High CRI (Color Rendering Index) backlighting LED improves color reproduction and visibility in bright sunlight.
- Improved battery life.
- Optional Conversion Lens Adaptor (DMW-LA6) allows use of 52mm filters or wide-angle .75x adapter (DMW-LAW52) which gives you 18mm at the wide end.
Panasonic has more information about the LX5 on their website here.
Read my review of the LX3 here: The Lightweight Photographer: Panasonic Lumix DMC-LX3 Real World Review.
Even with its extended zoom range, the Panasonic Lumix DMC-LX5 is still a wide-angle photographer’s camera. The 90mm long end isn’t going to excite too many tele shooters. But that’s fine with me: 24-90mm is a good working range for a travel photographer.
I’ll be interested to see if the Lumix LX5, with it’s new processing engine, will offer better image quality than the LX3 it’s about to replace. The LX3′s biggest failings were in the amount of noise in high ISO images (over 400) and unacceptable purple-fringing in high-contrast lighting situations.
The LX5, like the LX3, does not include an optical viewfinder. However, Panasonic does offer two optional, shoe-mount viewfinders which work with the LX5. The DMW-VF1 is purely optical with a 24mm field-of-view and the DMW-LVF1 is electronic and shows everything that’s on the LCD.
The Panasonic LX5 gives us another contender in the expanding range of pro-ready, raw-shooting compact cameras. Is it a winner? Time will tell, so stay tuned.
|Panasonic Lumix LX5 Black
|Panasonic Lumix LX5 White
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